![]() The trio focused on a much harder style of rock than Wicked Lester played. ![]() Criss auditioned for and joined the new version of Wicked Lester. In late 1972, Simmons and Stanley came across an ad in the East Coast version of Rolling Stone placed by Peter Criss, a veteran drummer from the New York club scene, who was previously in bands called Lips and Chelsea. Simmons and Stanley, feeling that a new musical direction was needed, abandoned Wicked Lester in 1972 and began forming a new group. They recorded one album, which was shelved by Epic Records, and played a handful of live shows. Wicked Lester, with its eclectic mixture of musical styles, never achieved any success. Kiss traces their roots to Wicked Lester, a New York City-based rock and roll band led by co-founders Gene Simmons and Paul Stanley. The band has sold more than 40 million albums in the United States, of which 19 million have been certified by the RIAA, and their worldwide sales exceeds 100 million albums. Kiss has been awarded 24 gold albums to date. ![]() Kiss formed in Queens, New York (USA) in 1973.Įasily identified by its members' face paint and flamboyant stage outfits, the group rose to prominence in the mid to late 1970s on the basis of their elaborate live performances, which featured fire breathing, blood spitting, smoking guitars, shooting rockets, levitating drum kits and pyrotechnics. Kiss (often stylized as KISS) are a band who experimented with many styles of Rock music including 1970's Hard Rock and 1980's Hair / Glam Metal (Heavy Metal).
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Following months of rumors suggesting the opposite, Apple decided to forgo high refresh-rate displays on the entire iPhone 12 line, which have actually become quite common in the flagship smartphone space over the past year. The iPhone 12’s screen still isn’t perfect, and the reason why is clear to anyone who has used a recent Galaxy, Pixel or OnePlus phone for any length of time. And it’s surely easier to top off your phone by setting it down a puck that instantly aligns itself perfectly, rather than fumbling around at your bedside to plug in a tiny Lightning connector. The magnets help localize the iPhone 12 on chargers and makes accessory attachment more convenient. Still, that’s not to discredit the philosophy behind MagSafe, which makes a lot of sense. In a third-party charging test, the iPhone 12 charges to 50% full in 28 minutes using the 20W fast charger. The bad news is that MagSafe is slower than Apple's 20W wired charger. Your iPhone 12 will still be compatible with whatever wireless chargers or Qi accessories you already have, though to get those peak 15-watt speeds, you'll need a first- or third-party solution that incorporates MagSafe. ![]() ![]() The company’s own $30 MagSafe charging puck uses the very same Qi standard as any other wireless charger for any other phone - it just incorporates magnets, too. There’s nothing inherently unique about Apple’s brand of wireless charging here. ![]() Giancarlo Esposito height is recorded at 5 feet 8.11 inches, his weight is also listed to be 63 kg. Currently, his diet and workout routine – if he has any – are not publicly known the same goes for his other measurements. What is known is that so far the actor has not had to significantly alter his body weight for any of his roles.The topic of Giancarlo Esposito family has been highly searched on the internet, as many people are interested in learning more about it. Beyond that, his extensive work and years in the industry speak for themselves. Giancarlo Esposito: Net WorthĪccording to research, his net worth is $6 million. A totally expected amount considering that he earned $65,000 per episode of Breaking Bad. Giancarlo has four daughters with his ex-wife, Joy McManigal, who is a producer. The names of her daughters are Syrlucia Esposito, Kale Lyn Esposito, Shayne Lyra Esposito and Ruby Esposito. The couple had been together for more than 20 years, since 1995, before their divorce. However, their divorce date was kept away from the media’s prying eyes. He hasn’t dated anyone since then. African American heritage. His father, Giovanni Esposito, is an Italian stage actor who built the sets for Naples. His mother, Elizabeth Foster, was an African-American opera singer from Alabama. The actor has a brother named Vincent Esposito.ĭue to the nature of her parents’ work, the family moved from Rome to Hamburg and then to Germany before settling in Manhattan when she was six years old.Īs mentioned earlier, he had his first Broadway gig in 1966 but what was not mentioned is that he got this role thanks to the influence of his parents. Giancarlo Esposito is Italian and Italian. There is no denying the fact that Giancarlo Esposito is a talented actor and director. He joined the DC Universal Animated Original film series where he played Ra’s Al Ghul in Son of Batman and Black Spider in Batman: Assault on Arkham The American actor has lent his voice to several anime, video game and action films, one of which includes his role as Akela, lead in WWolfpackin, Disney’s 2015 film The Jungle Book. In 2010, he landed a role in the movie Rabbit Hole alongside fellow heavyweights Nicole Kidman and Aaron Eckhart. He was also a guest on the popular NBC sitcom, Community. Giancarlo portrayed Sidney Glass and the Magic Mirror on the ABC show Once Upon a Time as well. This role earned him two Best Actor awards at the 2012 Critics Television Awards and an Outstanding Supporting Actor at the 2012 Primetime Emmy Awards. He also reprized the role in Better Call Saul. He is best known for his most iconic role as the villainous Gustavo Fring on the hit series Breaking Bad. The talented actor earned theater credits in New York with performances in The Me Nobody Knows, Lost in the Stars, The Seesaw, Merrily We Roll and Cat on a Hot Tin Roof where he played Gooper. He directed, produced and also acted in this film. His first feat in directing was his 2008 racist drama Gospel Hill. ![]() Giancarlo is also a respected name on the indie side of entertainment some independent films he has appeared in are Night on Earth, Fresh, Smoke and its sequel Blues in the Face. He appeared in films like Tap (1981) as cadet JC Pierce, Maximum Overdrive, King of New York, Reckless, and Waiting to Exhale, starring Whitney Houston and Angela Bassett. He also landed a starring role in the film School Daze as the leader of the black fraternity Gamma Phi Gamma, led by Spike Lee this is largely considered his main role. Four years later, they both worked on three more films, namely: Do the Right Thing, Mo’ Better Blues and Malcolm X. What earned him stardom was his role as Agent Mike Giardello on the TV series Homicide: Life on the Streets. This actor is not a beginner when it comes to theatrical performances and television productions. After its Broadway debut, other TV show shows appeared in the ’80s, such as Miami Vice and Spenser: For Hire. The actor also earned a two-year degree in radio and television communication from Elizabeth Seton College in New York. Many plays followed and he also got roles in movies and TV shows in the 60s, early 70s and 80s where he was able to play bigger roles on TV. He lived in Europe until he was 6 years old. he later moved to Manhattan, New York with his family to start a new lifeĬoming from a theatrical background, Giancarlo began performing plays from 8-year-old Maggie Flynn. ![]() Giancarlo, critically acclaimed American actorGiuseppe Alessandro Esposito was born in Copenhagen (Denmark) on April 26, 1958. He also appeared in several notable shows, including Once Upon a Time, Dear White People and Better Call Saul. Giancarlo Esposito is as talented as he is beautiful. The charismatic actor has certainly made his mark on television entertainment in recent years. He’s perhaps best known for playing the mesmerizing villain on Breaking Bad.
![]() A promising start.Īmongst the Real Pianos are some delicious felt‑hammer options, as well as intriguing timbres in which the strings have had ping pong balls balanced on top or paper inserted beneath, are plucked, or ‘bowed’ with twine. Indeed, from an ‘init’ starting point, with a single sample engine (and no effects) enabled, I was able to conjure up some ravishing sounds within seconds. All of these recall, after a second or two, stereo multi‑samples laid out across the pitch range, so there’s never a chipmunk effect of single samples being massively transposed, and almost all serve as mini‑presets in their own right. The sample replay engines offer a choice of about 50 factory sample sets, grouped in three categories: Real Pianos, Processed Pianos and Additional Samples. Far too much to cover in much detail in this review, sadly, but here are the highlights. The effects quality is really good, and the graphic depictions of parameter settings genuinely helpful.Īs you swoop down, however, a lot of impressive stuff reveals itself. There are no fewer than six effects slots per sound: two per layer, and two master level effects. So in many ways AGP is two synths running in parallel, albeit with a sophisticated modulation scheme (again, more on that coming up) shared between them. Then both layers are finally mixed through another two master‑level effects processors. Staying a little bit longer with this bird’s‑eye view of AGP’s architecture, it turns out that each pair of sound engines outputs into an independent stereo filter and dual effects slots. So in fact the ‘old and new’ idea of the simple interface is ultimately misleading, but it’s a useful starting point. You get to configure how they’re deployed between the layers via a friendly drag‑and‑drop. four synths) is possible, but in fact it’s strictly two of each that can be enabled. The otherwise very clear and precise PDF user manual might lead you to believe that any combination of sample and synth engine (eg. Each has two sound engines, for a potential total of four running in parallel for every note played. Two layers, A and B, correspond to those orange and blue, old and new pianos of the simpler, macro‑driven interface. And it’s in the Layers panel we most clearly see the multitimbral aspect of AGP laid bare. Now there are five alternative panel views: Layers, Modulation, Arpeggiator, Effects and Macros. To really understand it though, an Advanced button lifts the lid (as it were) and exposes AGP’s extensive underlying architecture. ![]() In the Advanced view the full synth architecture is revealed, with its dual‑layer, four‑engine design, and modulation sources visible in the lower part of the window. With about 300 presets to get you going, it might take you a while to proceed from here. Seven more macro knobs, four of which refer to effects processing, also invite experimentation. ![]() So a dual‑layer aspect, morphing or blending between two different sounds, is literally front and centre. Between them a large Morph knob references their colours. Two pianos form an intriguing visual backdrop, one wooden and knocked about, the other computer‑generated and clean, and both ‘exploded’. So what’s going on here, in this novel take on the piano? Actually, AGP’s main graphic interface (shown above) gives a pretty good clue. Some have a serious wow factor when you play just one note, although many are conventionally playable and expressive in nature, as with a real acoustic grand piano. But the presets provided do tend towards the complex, multi‑layered and occasionally cinematic they’re sometimes dusty and distorted, though just as often clean and sparkling. Like its recent forerunners, dedicated to Strings and Voices, Augmented Grand Piano (or AGP, as I’ll call it from now on) employs sample playback as well as various types of synthesis, so the timbral range is broad and not easy to summarise. ![]() When is a piano not a piano? When it’s been ‘augmented’ by Arturia.Īugmented Grand Piano is the latest in Arturia’s Augmented series of virtual instruments, which reinterprets and deconstructs familiar types of sounds. The optional fold‑out panel is for setting up various global options, and configuring MPE. The main, ‘friendly’ macro‑driven version of the graphic interface, showing the concept of morphing or blending between two sources. |
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